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Stanley Kubrick: A Biography, by Vincent Lobrutto
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Stanley Kubrick, director of the acclaimed filmsPath of Glory, Spartacus, Lolita, Dr. Strangelove, 2001: Space Odyssey. A Clockwork Orange, The Shining, and Full Metal Jacket, is arguably one of the greatest American filmmakers. Yet, despite being hailed as “a giant” by Orson Welles, little is known about the reclusive director. Stanley Kubrick—the first full-length study of his life—is based on assiduous archival research as well as new interviews with friends, family, and colleagues.Film scholar Vincent LoBRutto provides a comprehensive portrait of the director, from his high school days, in the Bronx and his stint as a photographer for Look magazine, through the creation of his wide-ranging movies, including the long-awaited Eyes Wide Shut. The author provides behind-the-scenes details about writing, filming, financing, and reception of the director’s entire output, paying close attention to the technical innovations and to his often contentious relationships with actors. This fascinating biography exposes the enigma that is Stanley Kubrick while placing him in context of film history.
- Sales Rank: #908995 in Books
- Published on: 1999-05-07
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.38" w x 6.00" l, 1.91 pounds
- Binding: Paperback
- 606 pages
Amazon.com Review
In 1962, an MGM trailer teased its audience by asking "How Did They Ever Make a Movie Out of Lolita?" Readers of this book, which recounts the life of Lolita's director, might ask, "How Did They Ever Write a Biography of Stanley Kubrick?" Kubrick is the most reclusive of celebrities, a man who seems mysterious even to those who have known and worked with him. Vincent Lobrutto's engrossing and beautifully researched biography succeeds in tracing this meticulous and brilliant visionary from his childhood and early career as a photographer for Look magazine to his creation of masterpieces such as Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, and Full Metal Jacket. Lobrutto concludes his book by discussing projects that have not yet been realized: Eyes Wide Shut, a film about sexual obsession, the Holocaust drama Aryan Papers, and the most eagerly awaited of Kubrick's prospective movies, the science fiction film A. I.
From Publishers Weekly
Despite making only 12 feature films in 40 years, Stanley Kubrick (b. 1928) is arguably the greatest living American filmmaker, the principal creative force behind such movies as Paths of Glory, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange and The Shining. He is famous for his reclusiveness and eccentricity. Although this biography falls short of its stated purpose to be the first complete account of Kubrick's private life, it succeeds in presenting a convincing portrait of a man who is utterly devoted to every aspect of filmmaking, down to poster design. LoBrutto (Elia Kazan: Film Director), a film professor at the School of Visual Arts in N.Y.C., provides an exhaustively researched and detailed account of the making of Kubrick's films, including long interviews with many of the actors, writers and film craftsmen who have worked with the director over the years. Kubrick comes across as a soft-spoken tyrant in full command of every detail who somehow manages to win and keep the respect of those who work for him. For the true film buff, there's an astonishing amount of technical information, but there's also a good deal of illuminating backstage human interest?Kubrick cutting Kirk Douglas's final close-up in Spartacus as a joke, beating George C. Scott at chess between takes of Dr. Strangelove, asking Malcolm McDowell if he knew any songs he might sing during the rape scene in A Clockwork Orange. The tone of the book is a bit gee-whiz at times, but it's hard to fault LoBrutto for that: from the evidence here, Kubrick's boundless energy and passion for film are as breathtaking as the best of his movies. Photos and filmography.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Perspectives on Stanley Kubrick. Stanley Kubrick is the acclaimed Bronx-born, British-based director of such notable films as Paths of Glory, Spartacus, and Dr. Strangelove. Among those who have admirably analyzed his oeuvre are Michael Ciment (Kubrick, 1980. o.p.) and Thomas Allen Nelson (Kubrick: Inside a Film Artist's Maze, LJ 4/15/82). Because Kubrick has directed only Full Metal Jacket (1987) since those books were published, these new evaluations will supplement rather than supersede them. Falsetto's work contains an introduction to Kubrick's career, a complete filmography, 22 essays (one by Kubrick himself), and four interviews, including the 1968 Playboy discussion of 2001: A Space Odyssey. Academic evaluations are complemented by nuts-and-bolts articles about the groundbreaking special effects of 2001 and use of the Steadicam camera on The Shining. The only sour note is "Full Metal Jacket: The Unravelling of Patriarchy," used by its author to snipe at Margaret Thatcher and a British commission on language. Contrast this with its intelligible companion piece, Thomas Doherty's "Full Metal Genre: Kubrick's Vietnam Combat Movie." LoBrutto's book is the first full biography of its subject. Although the reclusive director did not grant him an interview, LoBrutto gained the cooperation of childhood and adult friends and associates and gathered a truly vast amount of background material from primary sources (school records, marriage certificates, letters) and secondary sources (books, obituaries, reviews). Regrettably, his editors have allowed every bit of the information LoBrutto collected to remain in the text. Although much of the detail is welcome, the needless adjectives ("masterful Hamlet"), minutiae (hour of birth of his first wife), and plot synopses that should have been in the filmography often make this tedious reading. Buy where completeness is a goal.?Kim R. Holston, American. Inst. for Chartered Property Casualty Underwriters, Malvern, Pa.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
2 of 2 people found the following review helpful.
The best Kubrick Bio (that i've read, so far)
By M. vitka
Upfront: I'm not an expert, but I've been a fan of Kubrick and his films for decades.
Stanley Kubrick is a remarkable subject but I hate the biographies that fawn over him as some perfect god-like wunderkind.
What's the truth about Stanley kubrick?
Lobrutto does a good job here relying on interviews from people who worked with or knew Kubrick personally, that are mined from a variety of sources, and overall provide the most detailed and best documented personal history I've read to date.
A clearer portrait emerges of who Stanley Kubrick was and how he accomplished some of his filmmaking art. I believe Lobrutto shoots strait most of the time - and even includes some of the dark side of Kubrick's obsessive work ethic, but his bias is more often: jaw dropping awe over Stanley Kubrick the superman.
In any event this is a must read for any serious student of Stanley Kubrick. It contains so much amazing stuff that I felt compelled to buy and own it - so I could use it as a reference work - and savor some of the more fascinating pieces of the Kubrick puzzle.
I wish there were several more good books on Kubrick but I can only recommend one: Kubrick by Michael Herr.
Maybe some day...
12 of 13 people found the following review helpful.
A filmography more than a biography
By matthewslaughter
Published in 1999, prior to the release of "Eyes Wide Shut" and the death of his subject, Stanley Kubrick, Vincent LoBrutto's biography arrived, however unfairly, at the wrong time. Since Kubrick did not grant LoBrutto the kind of access a strong biography needs, he had to do the nasty gruntwork that makes biographical writing, particularly of the deceased, such a demanding, but ultimately rewarding adventure. We can only speculate, but now that Kubrick has been dead for nearly eight years, that perhaps Christiane Kubrick and their daughters would grant access into the secretive, obsessive world that made Kubrick such a mythic filmmaking figure.
Instead, we have a text that owes to LoBrutto's extensive knowledge of cinema more than it does to the insight of Stanley Kubrick. The book starts off poorly, reading like a catalog of events and dates, lacking any real musical sensibility for his use of the English language. LoBrutto hits his stride when describing the making of Kubrick's breakthrough film "The Killing." From there, LoBrutto's research into the depths of Kubrick's approach to filmmaking is rewarding. We learn about Kubrick's use of specific movie cameras, lenses, his approach to scoring films, "needle-dropping," his approach to lighting and his encyclopedic absorption of the subject matter pertaining to the films he made.
However, as a "biography," a study in human character, LoBrutto's book is thin. We learn little about Kubrick's attitudes towards his Jewish heritage. His first two marriages are passed over without any real depth. His obsessive nature and the creation of his own closed-off world, akin a filmmaker's Xanadu, are provided little to no psychological depth or inquiry. Kubrick comes across in LoBrutto's text as a reserved, calm guy who really didn't antagonize anybody. This overly consistent portrayal of his subject leads me to believe that, since Kubrick was still living at the time the author was writing this book, that LoBrutto was fearful of getting sued or blacklisted if he wrote anything too critical of the director. For these reasons, the book does not receive my overwhelming recommendation. But for aspiring directors, this books is a marvel, providing wonderful glimpses into the habits, approaches and skillsets of America's greatest film director.
4 of 4 people found the following review helpful.
Biography or trivia book?
By A Customer
This book does not fit the description of "biography." It is more of a "filmography" with some personal tidbits thrown in occasionally. In effect, this book merely became a scattered 600 page trivia offering. I admire the amount of research done on the book, but many times throughout the detail is a bit too excessive (eg- saying that Big Macs were often the food of choice during the making of the Shining-did we really need to know that?) This book has little to do with Kubrick the person (as a "biography" should) and has more to do with Kubrick the director. The chapters are utterly repetitive. Every chapter starts out with these words: "After his (such and such) last film Kubrick fell back into his pre-production mode." The chapter on the Shining was pathetic, after seeing "the making of the Shining" on DVD, its obvious that LoBrutto based that entire chapter on that documentary. I have admired and loved Kubrick's work most of my life, and waited a long time for this book only to be let down tremendously. My personal opinion is that LoBrutto rushed this book instead of fine tuning it and diggng deeper into Kubrick's life in order to be the first one to publish a Kubrick biography. I think more research of Kubrick the person needs to be done and then fused with these facts to make one hell of a book. Considering his reclusive lifestyle though, that may never happen. As it stands, this is probably the best Kubrick biography out there. But other reviewers have had the same reading experience I had...I just couldnt finish reading the darn thing. Its sad, considering the subject matter.
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