Minggu, 30 Juni 2013

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

  • Published on: 2014-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .92" w x 7.44" l, 1.77 pounds
  • Binding: Paperback
  • 454 pages

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Sabtu, 29 Juni 2013

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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

  • Sales Rank: #2430433 in eBooks
  • Published on: 2013-11-12
  • Released on: 2013-11-12
  • Format: Kindle eBook

Review
"Armed with theoretical agility, experiences personal and political, feminist and queer commitments, and an unflinching skepticism, Clare Hemmings wanders through the multiple spaces of bisexuality-geographical, theoretical, political, and cultural. Her report from these fronts is keen and challenging, a welcome addition to the development of critical bisexual theory, and to gender and sexuality studies more generally.."
-Joshua Gamson, author of "Freaks Talk Back: Tabloid Talk Shows and Sexual Nonconformity
"Clare Hemmings transforms the historically marginalized space of bisexuality. Here is an unfettered bisexual theorist whose prose is disarmingly lucid and powerful. Hemmings pushes the queer performative subject way beyond its currently rigid lesbian and gay locations. Feminists, postmodernists, queer and gender theorists alike should be indebted to Hemmings for grounding her truly original theories on bisexuality in meticulous and convincing scholarship.."
-Jyl Lynn Felman, author of "Never a Dull Moment: Teaching and the Art of Performance

About the Author
Clare Hemmings is a Lecturer in Gender Studies Theory at the Gender Institute at the London School of Economics and Political Science.

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Una exposici�n clara y concisa de una nueva desviaci�n que est� cautivando al mundo.

  • Sales Rank: #5377360 in Books
  • Published on: 1992-06-01
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: .49" h x 5.29" w x 8.02" l,
  • Binding: Paperback
  • 142 pages

About the Author
El finado doctor Walter Martin escribi� doce libros y fue reconocido como el "padre" del movimiento cristiano moderno en contra de las sectas. Fue fundador y presidente del Christian Research Institute y conductor del programa radial difundido a nivel nacional The Bible Answer Man.

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Rabu, 26 Juni 2013

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  • Sales Rank: #9023961 in Books
  • Published on: 2007-10-19
  • Binding: Hardcover

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The One Year At the Cross Devotional: 365 Daily Bible Readings to Renew Your Faith, by Chris Tiegreen

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The One Year At the Cross Devotional: 365 Daily Bible Readings to Renew Your Faith, by Chris Tiegreen

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The One Year At the Cross Devotional: 365 Daily Bible Readings to Renew Your Faith, by Chris Tiegreen

Imagine being part of the early church, just after the power of the Cross has been unleashed and lives are being transformed. This year, you can discover and recapture the excitement the first believers felt in the newness of their faith. This 365-day devotional delves into Acts, Revelation, and the New Testament letters to explore the radical commitment of early Christians.

  • Sales Rank: #1838568 in Books
  • Brand: Tyndale House Publishers
  • Published on: 2011-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 3.25" h x .50" w x 4.75" l, .25 pounds
  • Binding: Paperback
  • 720 pages

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0 of 0 people found the following review helpful.
Great Devotional!
By RonB
Wife reads it everday,

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[Q591.Ebook] Ebook Download Jerusalem - The Biography, by Simon Sebag Montefiore

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Jerusalem - The Biography, by Simon Sebag Montefiore

  • Sales Rank: #1026704 in Books
  • Published on: 2011
  • Binding: Hardcover

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8 of 10 people found the following review helpful.
A flawed masterpiece: never clear what it really wanted to be and in the end a mixture of self-indulgence and failed dreams
By Bill Greenhalf
Amazon defines two stars as meaning `I don't like it' and I didn't like this book. Nevertheless, I'm glad I've read it and I certainly respect the immense effort that went into writing it and I would recommend bits of it. In my opinion there are small sections that would work well as standalone vignettes, of the type that are published in history magazines: examples are the Preface and Helena the first archaeologist. The final chapters, from `The British Mandate' to the `Epilogue' would also stand alone as a fairly provocative bit of political discussion. Most of the rest of the book would be better written as bullet points of interesting (if often contradictory) factlets. This is my opinion and my opinion seems to contradict the vast majority of the reviewers on Amazon and certainly the quoted great and good who endorse the book on its cover. I suspect that the positive reviews are rewards for the ambition rather than the delivery. I also suspect that they are wrong in assuming that Montefiore really set out to produce a definitive history of Jerusalem.

I have a hypothesis as to what went so terribly wrong with this book. I believe that Montefiore set out to write the story of his illustrious family: a form of self-hagiography. He came equipped with a vague but comfortable set of family myths and a privileged position whereby he could access the very best sources. This is after all a man who can acknowledge the advice and help of the Duke of Edinburgh in writing his book. I believe that the focus of his intended story was Sir Moses Montefiore. I have stood by the citadel in Jerusalem and looked out on the incongruous Montefiore windmill, imagine how much greater the impact would be of that sight if your name happened to also be Montefiore. How much greater still would it be if you had been brought up with Zionist pilgrims visiting your ancestral home just because Sir Moses had once lived there. As a historian it is obvious that Simon Montefiore would want to place his hero in the context of the history of the city he helped to mold. How tragic that the greater the level of research the less impressive the role of the author's hero appeared. The book Simon Montefiore wanted to write simply wouldn't work but having committed so much time and effort in researching and drafting his epic, I believe Montefiore had little choice but to cobble together the best bits of his research in what he called `Jerusalem: The Biography'

In the preface the author quotes Dr Nazmi al-Jubeh as saying of Jerusalem's history "Take away the fiction and there is nothing left". Mr Montefiore made the wise decision to go with the flow and accept particular mythologised views of history, rather than breaking up the main text with constant caveats. However, his pride in his research and credentials as a historian forced him to write his book with interminable foot notes, each basically saying to the reader `I know what I have written is only one version and this version is probably untrue from a historical perspective'. For example, people believe Christ was born in Bethlehem, we are happy with that belief and that is the truth presented to us in the main text; but Mr Montefiore like all main stream historians knows this to probably be untrue. He puts the myth in the main text then tells us in a footnote that actually Herod most certainly did not kill the first born sons: we know of many of Herod the Great's crimes, great and small - this was not one of them. The Romans did not require their citizens and subjects to return to their ancestral home for a census; furthermore there was no census (of any form) at the time of Christ's birth. Nevertheless, the gospel Christ was born in Bethlehem, it is a form of truth and it is a `fact' of greater historical importance than the possible birth of a man called Jesus in Nazareth. It is the gospel Christ who changed the world. By splitting the story and placing what he considers to be important in the text with the caveat in the footnote Mr Montefiore probably thought that he would avoid upsetting fundamentalist Christians while also avoiding the risk of looking foolish to his peers: maybe it worked, but for me it makes an unsatisfactory book.

For 500 pages Montefiore drags us through his own personal Damascene conversion. He ends up in a position I personally find fairly attractive: accepting Israel warts and all but sympathizing with the Arab cause. This political correctness is probably another reason that the book has received such rave reviews. It could be seen as wholesome but for me it would have been a lot better if he just gave us the finished thesis, instead he presents a series of arguments with himself without giving us the conclusions. Below are a couple of examples.

I believe Montefiore's sympathies are torn between a visceral sympathy for Zionism and an intellectual position that means he cannot help questioning its foundations. The book gives an impression that the author is on a journey from a dream of Zionism to a realization that the entire concept is built on quick sand. The tipping point comes at page 229 of the paperback version. Having spent a great many of the preceding pages describing how Jews became Christians, Muslims and generally blending with other religions and races, Montefiore finally begins to confront the undeniable fact that Judaism was often evangelical and frequently people became 'Jewish' - by choice or through coercion. Having given one spectacular example of the Turkic Khazars converting en masse to Judaism, Montefiore admits in a footnote that if `much of European Jewry are actually descended from Turkic tribesmen' this would undermine Zionism. He then clutches at the most fragile of straws and says: `But modern genetics refutes this theory: the two latest surveys suggest that modern Jews, both Sephardic and Ashkenazi, are around 70 per cent descended from Middle Eastern genes'. Mr Montefiore is clearly no scientist, much less a geneticist. I have a PhD in molecular genetics and to me this terrible sentence is physically painful. In technical terms all the mitochondrial and Y chromosome data that is being referred to shows is that like large proportions of the world's population many Jews have a common maternal or paternal inheritance with non-Jewish people from the middle east, this in no way precludes them from having lineages through mixed male and female lines to Khazars or for that matter Inuits. Put simply you are equally related to your maternal grandfather and your paternal grandmother and considerably more closely related to both than you are to your great, great, great, great grandfather traced back on the male line from your father's side. The body blow to Zionism described by Shlomo Sand (amongst others) is that Jews are not racially pure travelers in genetic time who have returned to claim their birth right. Montefiore's own arguments inevitably endorse this and the fact that those claiming Jewish descent are not pure blood Khazars (presumably by this logic, if they had been they would be entitled to the ancient land of Khazaria) does not mean they are pure blood Judeans entitled to the ancient land of Israel.

Montefiore tells us of a conversation between Balfour and Weizmann. It is clear that the writer believes that Weizmann is showing profound wit when he criticizes the option given of a Jewish homeland in Uganda by asking the author of the infamous declaration if he would be happy if given Paris as a home rather than London. The implication being clear to any nationalist, a Briton could only ever respond in the negative because London is inalienably British. In actual fact this is hokum, the only real link between Balfour and London was his personal experience of the city. There was no link via any strand of DNA or any epigenetic conditioning. Take away personal experience and national mythology and there is no reason why a Briton should not be as content to occupy Paris as London. Similarly, a `Frenchman' with no personal experience of France may have an emotional link to the Seine, but there is no biological link that attaches him more to that river than to the Thames. For anyone other than a Zionist Weizmann's rejoinder that his people's link to Jerusalem is more profound than the link between a Briton and London, because `his people' had occupied it before London was even built, is preposterous. At such a vast distance in time it is impossible to know if Balfour or Weizmann was closer in line to the ancient builders who laid the first bricks on Mount Zion.

I think Montefiore understands the logical problems with being a Zionist, but he also understands the pain of standing at the Western Wall, so very close to the Holy of Holies and feel the sense of injustice that 'his people' even now cannot claim their birth right. I sympathize. It is not logical, it does not make a good book, but it is understandable.

2 of 2 people found the following review helpful.
an amazing history
By joel rubin
3 thousand years in several hundred pages. Each era is facinating, violent, depraved and sadistic. You couldn't make this stuff up. I wish Montefiore had more details with the early years, but I guess those details are impossible to come by and he only sticks with the facts. And for that I thank him.

5 of 7 people found the following review helpful.
JERUSALEM, BIOGRAPHY
By Victoria
Gripping to say the least. When the history came to 'my" era, some major glaring omission, commissions of error or oversight. Example: The first major Jewish revolt against the White Paper (no more Jews into Palestine) reprisal was the bombing of the s/s Patria - a ship load of refugees not permitted to disembark in the Haifa Harbor, Which caused world revolution against the British who wanted to deport the survivors to Madagascar. Not "worthy of mention". The hanging of the three Irgun members and then the kidnapping and hanging of two British soldiers (reprisal), not a mention. This act of terrorism caused major anti-Semitic waves in England. The grove in which the two were hung is a historic grove in today's Israel. That was the Black Sabbath. What the author mentions is not the right Black Sabbath at all. It was a total country curfew where a new mother was shot to death when she hung diapers on the roof. I wrote the author with indisputable dates, names, and places but received no reply. A gripping book, with major holes in modern history.

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Kamis, 20 Juni 2013

[E708.Ebook] Download Ebook Community Health and Wellness Needs Assessment: A Step by Step Guide, by Deena Nardi, Josy Petr

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Community Health and Wellness Needs Assessment: A Step by Step Guide, by Deena Nardi, Josy Petr

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Community Health and Wellness Needs Assessment: A Step by Step Guide, by Deena Nardi, Josy Petr

The health and wellness of a community is dependent on many factors. Just as in a "head-to-toe" assessment of an individual client, a community health assessment will require a systematic approach to diagnose the health of a community. Whether for class or clinical application, this book is a perfect resource for any nurse evaluating the health of a community, guiding a user step-by-step through an assessment.

  • Sales Rank: #2442945 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2002-09-12
  • Original language: English
  • Number of items: 1
  • Dimensions: .69" h x 5.56" w x 8.46" l, .70 pounds
  • Binding: Paperback
  • 306 pages
Features
  • Used Book in Good Condition

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Sabtu, 15 Juni 2013

[U444.Ebook] Download Ebook Why I Write (Penguin Great Ideas), by George Orwell

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Why I Write (Penguin Great Ideas), by George Orwell

Throughout history, some books have changed the world. They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives—and destroyed them.

Now, Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are. Penguin's Great Ideas series features twelve groundbreaking works by some of history's most prodigious thinkers, and each volume is beautifully packaged with a unique type-drive design that highlights the bookmaker's art. Offering great literature in great packages at great prices, this series is ideal for those readers who want to explore and savor the Great Ideas that have shaped the world.

Whether puncturing the lies of politicians, wittily dissecting the English character or telling unpalatable truths about war, Orwell's timeless, uncompromising essays are more relevant, entertaining and essential than ever in today's era of spin.

  • Sales Rank: #98683 in Books
  • Brand: Orwell, George
  • Published on: 2005-09-06
  • Released on: 2005-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.10" h x .36" w x 4.37" l, .20 pounds
  • Binding: Paperback
  • 128 pages

About the Author
ERIC ARTHUR BLAIR (19031950), better known by his pen name George Orwell, was an English author and journalist whose best-known works include the dystopian novel 1984 and the satirical novella Animal Farm. He is consistently ranked among the best English writers of the 20th century, and his writing has had a huge, lasting influence on contemporary culture. Several of his coined words have since entered the English language, and the word "Orwellian" is now used to describe totalitarian or authoritarian social practices.

Excerpt. � Reprinted by permission. All rights reserved.
Why I Write

From a very early age, perhaps the age of five or six, I knew that when I grew up I should be a writer. Between the ages of about seventeen and twenty-four I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books.

I was the middle child of three, but there was a gap of five years on either side, and I barely saw my father before I was eight. For this and other reasons I was somewhat lonely, and I soon developed disagreeable mannerisms which made me unpopular throughout my schooldays. I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life. Nevertheless the volume of serious - i.e. seriously intended - writing which I produced all through my childhood and boyhood would not amount to half a dozen pages. I wrote my first poem at the age of four or five, my mother taking it down to dictation.

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42 of 43 people found the following review helpful.
Great short collection of essays
By Jordan M. Poss
Why I Write is a collection of four pieces by one of the best writers of the twentieth century. George Orwell is best known for his political fables Animal Farm and 1984, but was also a prolific essayist and author of numerous short stories, many of them based on his own experiences in British-controlled Burma. This books includes three essays--"Why I Write", "The Lion and the Unicorn", and "Politics and the English Language"--and the short story "A Hanging."

"Why I Write" offers the reader a look into one great writer's motivations for writing, as Orwell lays out the only real reasons anyone writes. "The Lion and the Unicorn" is fascinating, not only for its often humorous descriptions of the British national character, but for the political ideas expressed in it and the knowledge, made clear by Orwell at the beginning, that this was written in the midst of the Blitz. "Politics and the English Language" is a brief guide to the fatal flaws of modern writing--all of which have lasted beyond Orwell--and how to mend them. "A Hanging" is reminiscent of another of Orwell's famous short stories, "Shooting the Elephant," as it describes an otherwise mundane action in ominous, metaphoric terms.

While hardly exhaustive, this collection of Orwell's essays is a good introduction to Orwell, his writings, and his political views. Makes very good reading for a trip, which is where I read it.

Highly recommended.

16 of 17 people found the following review helpful.
Question is: Why Should I Buy this particular "Why I write?" Compilation?
By Pavel Somov, Ph.D., author of "Lotus Effect," "Present Perfect," & "Eating the Moment"
In evaluating "Why I write?," I am not evaluating Orwell: he is - in my opinion - beyond evaluation. Brilliant, unorthodox, humanistically transparent - he is a model of existential integrity. In evaluating "Why I write?" I am offering an evaluation of this particular compilation of essays. I am trying to answer the question of "Why should I buy the 'Why I write?'"

This particular compilation of Orwell's essays consists of "Why I write?," The Lion and the Unicorn," "A Hanging," and "Politics and the English Language." As you might have already gleaned from you search, the books of Orwell's essays are all over the market place. This one - consisting of four iconic essays - is a great primer.

The "Why I write?" humbles with introspection and humanistic self-acceptance. "The Lion and the Unicorn" showcases Orwell's keen journalism and the capacity to be on the outside of the phenomenon in question, even when that phenomenon is his own culture. "A Hanging" is a normalizing glimpse into how we deal with our own mortality superimposed onto a social statement against capital punishment. And the "Politics and the English Language" is a brilliant examination of the human consciousness, a study of the interplay of thought and language, an anti-dote to propoganda, a treasure trove of linguistic hypotheses, and, if nothing else, a useful commentary on the rationale behind the "1984" Newspeak and Doublethink.

As such, this particular collection of Orwell's essays reveals the breadth of his thematic spectrum - without the biographical weight of more exhaustive essay compilations.

Pavel Somov, Ph.D.

Author of "Eating the Moment: 141 Mindful Practices to Overcome Overeating One Meal at a Time" (New Harbinger, 2008)

13 of 14 people found the following review helpful.
Don't buy the Kindle version by Crabbit House
By Patrick Sherriff
Well, there was Our Man eager to read the four essays that are mentioned in the product description. But lo and behold when you buy the Kindle edition by Crabbit House for a steal at under $2.00, it only includes the one 15-screen essay, Why I Write, which is freely available on Google. The other three essays, that are in the description, are not included in the collection. A steal all right, but not the good kind.

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Jumat, 14 Juni 2013

[P645.Ebook] Download Ebook Alterities in Asia: Reflections on Identity and Regionalism (Routledge Contemporary Asia Series)From Routledge

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This book investigates the politics of identity in Asia and explores how different groups of people inside and outside Asia have attempted to relate to the alterity of the places and cultures in the region through various modes (literary and filmic representation, scholarly knowledge, and so on) and at different points in time. Although coming from different perspectives like literary criticism, film studies, geography, cultural history, and political science, the contributors collectively argue that Asian otherness is more than the dialectical interplay between the Western self and one of its many others, and more than just the Orientalist discourse writ large. Rather, they demonstrate the existence of multiple levels of inter-Asian and intercultural contact and consciousness that both subvert as much as they consolidate the dominant ‘Western Core-Asian periphery’ framework that structures what the mainstream assumes to be knowledge of Asia.

With chapters covering a wealth of topics from Korea and its Cold War history, to Australia's Asian identity crisis, this book will be of huge interest to anyone interested in critical Asian studies, Asian ethnicity, postcolonialism and Asia cultural studies.

Leong Yew is an Assistant Professor in the University Scholars Programme, National University of Singapore. He is the author of The Disjunctive Empire of International Relations (2003).

  • Sales Rank: #11703866 in Books
  • Published on: 2010-12-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x .80" w x 6.10" l, 1.05 pounds
  • Binding: Hardcover
  • 240 pages

Review

"[I]t is a really useful advance on discussions of Asian otherness beyond the Western discourse of Orientalism. In particular, the book does a good job demythologising the notion of ‘Asia’ as a singular Other. Instead, multiple constructions of Asian selves and Asian others are at play in this extremely diverse and heterogeneous region. In a time when ‘Asia’ is widely perceived as ‘on the rise’ on the global stage, the book is a timely reminder that active processes of othering exist internally to Asia, not just imposed onto it." - Ien Ang, Professor of Cultural Studies at the University of Western Sydney, Australia

"In asking that we re-engage otherness and Orientalism and alert ourselves against its apparent certainties, Alterities in Asia makes good ground in pointing towards that." - Dell Marie Butler; In-Spire: Journal of Law, Politics and Societies, Vol. 6, No. 1, Summer 2011

About the Author
Leong Yew is Assistant Professor in the University Scholars Programme at the National University of Singapore.

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Kamis, 13 Juni 2013

[O266.Ebook] Download Ebook Fashion Thinking: Creative Approaches to the Design Process (Required Reading Range), by Fiona Dieffenbacher

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Students often struggle to develop their own style and approach to design. While the design process is fundamental to the way all fashion designers work, there is no right or wrong method: each emerging designer must find their own authentic process.�Fashion�Thinking establishes key approaches to design and enables this process of discovery. Nine student projects form the core of the book, representing a diverse range of strategies at each key stage of the design cycle. By following each throughout their various stages of development, these examples offer a unique and inspiring insight into the thinking behind a final collection and enables emerging fashion designers to discover their own working method in the process.

  • Sales Rank: #1187347 in Books
  • Published on: 2013-02-07
  • Released on: 2013-02-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.77" h x .73" w x 8.65" l, 2.47 pounds
  • Binding: Paperback
  • 224 pages

Review
Strong, valuable resource. Beautiful pages,.eye-catching and inspirational. Will push students ideas generating conceptual thinking. -- Jayne Littlehales, Stafford College, UK The emphasis on in-depth inquiry and an individual approach will inspire students to further explore their own emerging design thinking and methods to achieve a confident end result. -- Krystyna Kolowska, Nottingham Trent University, UK This is a really valuable book for anyone teaching students to develop design conceptually. It uses plenty of visual prompts and does a really good job of explaining the complex processes involved in fashion design development to students. -- Kathryn Brownbridge, Manchester MET University, UK

From the Back Cover
AVA Academia's Course Reader titles are designed to support visual arts students throughout the lifetime of an undergraduate degree. Packed with examples from students and professionals and fully illustrated with clear diagrams and inspiring imagery, they offer an essential exploration of the subject.�Students often struggle to develop their own style and approach to design. While the design process is fundamental to the way all fashion designers work, there is no right or wrong method: each emerging designer must find their own authentic process.�Fashion�Thinking establishes key approaches to design and enables this process of discovery. Nine student projects form the core of the book, representing a diverse range of strategies at each key stage of the design cycle. By following each throughout their various stages of development, these examples offer a unique and inspiring insight into the thinking behind a final collection�and enables emerging fashion designers to discover their own working method in the process.

About the Author
Fiona Dieffenbacher came from Belfast, Northern Ireland, to study fashion at the prestigious Parsons School of Design in New York City. While at Parsons, Fiona won numerous awards, worked for Donna Karan and was mentored by both Michael Kors and Anna Sui. In 1998, after 10 years of honing her design skills in the industry as a knitwear designer, she opened her own boutique showcasing her ready-to-wear collection under the label 'Fiona Walker'. Her collections were retailed at Henri Bendel, and selected boutiques across the US and Japan. After shuttering her business in 2005, Fiona’s path led back to Parsons, where she is now Program Director of the BFA Fashion Design course.

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2 of 2 people found the following review helpful.
A Definite Must Read
By Monique Burke
Just received this book and already, in the first several pages, I am amazed at the wealth of information. This book is a mind and eye opener to approaching process of fashion design. I would highly recommend this book to anyone in any stage of their fashion design journey, especially if they are just beginning. So happy I invested in this book and look forward to the additional knowledge to come!

3 of 3 people found the following review helpful.
Solid 21st Century advice for designers
By G. Climer
This book is exactly what the fashion world needs more of: it is open minded. Instead of offering prescriptions on how to design, it is filled with case studies of how many different designers approach fashion. Easy to read, clear and concise. Fantastic images throughout the book.

0 of 0 people found the following review helpful.
I would recommend this book to any creative mind
By jacqueline lumsden
I wish I had this book my last semester at Parsons School of Design. Creating a portfolio for me was very difficult, 3 collections, 3 concepts in a 15 week course. I was tense, and worried the entire semester; simply because I did not quite understand how to work through the process. This book answers the nagging question of what next?

I would recommend this book to any creative mind, who just needs help to channel their creativity.

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