Free PDF Start with the Backbeat: A Musical Novel, by Garinè B. Isassi
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Start with the Backbeat: A Musical Novel, by Garinè B. Isassi
Free PDF Start with the Backbeat: A Musical Novel, by Garinè B. Isassi
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It is the spring of 1989 in New York City when Jill Dodge, a post-punk rocker from Texas, finally gets her big promotion at Mega Big Records. She is thrust into a race to find a gritty, urban rapper before the “Gangsta” trend passes their label by. As Jill and her mostly middle-class coworkers search for the next big rap star, they fluctuate between alliances and rivalries, tripping over the stereotypes of race, class, and musical genre. They work to promote their current roster of acts as well as the new rap artist they sign to a contract. It turns out, he may not be what they expected. Full of original lyrics and wit, Start With the Backbeat is a compelling examination of the nuances of class, race, and culture in America―which are sometimes ridiculously serious.
- Sales Rank: #1958475 in Books
- Published on: 2016-04-05
- Original language: English
- Number of items: 1
- Dimensions: .80" h x 5.50" w x 8.40" l, .0 pounds
- Binding: Paperback
Review
“How we hold on to our authentic selves in the face of change is the reverberating question behind Isassi’s witty and knowing first novel.”
—Booklist
“Start with the Backbeat is the touching story of one idealistic young woman's journey into the music industry when it was at its multiplatinum peak. Holding onto those ideals is a challenge, but Garine Isassi's clear, smart, good-hearted storytelling is itself a blow against easy cynicism. She reveals a sharp eye for how quickly greed and self-interest can displace a love of music—and an equally sharp understanding of how a dedicated person's daily principled decisions can make sure that doesn't happen. It's a tale that's both poignant and uplifting.”
—Anthony DeCurtis, Contributing Editor, Rolling Stone magazine
“Told with an insider's ear for dialogue and setting . . . Start with the Backbeat is a fresh, interesting look at a little-known slice of the music industry.”
—Sarah Pekkanen, best-sellling author of The Opposite of Me and Catching Air
“Music, friends, family, love, and a career anyone would envy! It's 1989 and Jill Dodge is working her way up the ladder at a NYC music label. Her quirky friends and diverse co-workers saunter in and out of Jill's life as she attempts to create a world that's artistic but also pays the bills. Insight into the glamorous world of music as rap was coming on scene provides a backdrop that is unique and dynamic as we watch Jill move past post-college angst and insecurity. A fun read that brought a smile to my face and got my feet tapping as I went on Jill's journey to fulfillment.”
—Kathleen Shoop, bestselling author of Love and Other Subjects
“A joy ride through the heyday of the eighties rap craze with a heroine you can’t help but root for, Start With the Backbeat is smart, stylish, and fun from beginning to end.”
—Kamy Wicoff, author of Wishful Thinking
“Fast-paced and entertaining, Start with the Backbeat is about a young woman's search for love and success in the exciting but sometimes cutthroat music industry. It’s a fun and heartwarming―a genuine pleasure to read. Like your favorite tune, you'll find yourself humming it for days.”
—Andee Reilly, author of Satisfaction
“Garin� B. Isassi’s funny, tender, and smart novel, Start with the Backbeat, is one of the few books that give us a woman’s point of view of the music industry and an ethnically diverse range of characters. Set in the late ’80s, it tells the story of Jill Dodge, who, after several years as a temp in the Admin Pit (think, ‘armpit’) of Mega Big Records, is promoted to a staff position. The brisk pace and breezy style keep the reader turning pages as Jill struggles to maintain authenticity in the face of clueless execs, romantic snafus, and a wannabe rapper. Isassi skewers the racism and sexism at the core of the industry with a light touch while evoking the deep love of music that drives each of her delightfully unique characters.”
—C�line Keating, author of Layla and Play for Me
About the Author
Garin� B. Isassi is a former singer/songwriter who grew up with one foot in Texas and the other in New Jersey. A graduate of the University of Texas at Austin, she is a lover of music, chocolate, and altruistic sarcasm; a writer of post-punk humor; and the illustrious founder of Helicopter Moms Anonymous. She is proud of her Armenian-American heritage, but tired of explaining it. She currently lives in Maryland, where she works full time in marketing communications, sings in a gospel choir, is the Workshops Chair for the Gaithersburg Book Festival, over-volunteers for a variety of community organizations, writes when everyone else is asleep, and lives with her husband, three kids, a cat, a dog, and a gecko (it’s the gecko that sent her over the edge). You can read her blog, “Hi!” from the ‘burbs, at her website, garineTHEwriter.com.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Chick lit with a big sense of humor and 1989 hairsprayed bangs.
By Michelle Hazen
This book is chick lit with a big sense of humor and 1989 hairsprayed bangs.
I spotted Start with the Backbeat by Garine Isassi on a Coveting post on the Rock of Pages blog, and was intrigued by the setting—1989, a girl attempting to discover Gangsta rap bands—and the fact that it billed itself as “A Musical Novel” not a romance. I love a rock star romance, but I’ve seen the gritty gangster beginnings of the rap industry in Straight Outta Compton, and I thought this had potential to be a nuanced discussion of a cool epoch in musical history, which it turned out it kinda was.
It was also chick lit, which I didn’t expect. The genre’s a bit out of vogue these days, so that’s probably why it isn’t labeled as such, but it has all the hallmarks: the romance is a subplot rather than a main plot to make room for more challenges with the MC’s career and friends and family. There are lots of disasters, lots of comedy, and a would-be young professional girl sort of thrashing her way to where she wants to be. I loved all these features of chick lit, and it occurs to me in a lot of ways, it was the precursor of New Adult.
I came for the 80s setting and I wasn’t disappointed. Cassette tapes, a music industry in an entirely different time. Plus, it was just painful to watch Jill and her other white middle-class co-workers tiptoe into some rough NYC neighborhoods, looking for “gangstas” to sign, while trying not to get mugged and trying to judge what might be “authentic.” The class and racial lines here are shows with a wince-worthy comedy of errors rather than a preachy tone, which makes for the kind of read that makes you cringe and nod as you recognize real life.
The supporting characters are fun, from the sprawling Armenian family to the sleazy company vice president, and all the very different officemates who end up very loyal to each other. I will say LaKeisha seemed a touch stereotypical to me, but other than that, I enjoyed the variety of personalities all whirled together.
The romance was fun too—Jill ends up going after a computer geek named Alejandro, whose name no one ever gets right, and whom she wasn’t attracted to at all at first (I blame the khaki office pants. I mean, whose ass DOESN’T look saggy in those things?). Seems like everybody starts romances these days with OOH-he’s-so-hot and I have a great time when it starts a little rougher. Alejandro was truly a gentleman, and it showed despite their many missteps.
Where this book really shines (other than the 1980s details and band references, which I LOVED) is in all the moments where you can’t help but recognize real life. The suburban mom crying off her eyeliner because she wants her husband to help more around the house, but he doesn’t do the dishes quite right, so she can’t let him do that, and she can’t leave for the night because of course he couldn’t take care of their baby the way she can and…yeah. So familiar. And Jill’s boyfriend at the beginning of the book, the sound guy that can get them in the backdoor of every club, but who disappears when he’s on the road with a band, even though he SWEARS he’s being faithful. Jill doesn't stand out too much from other chick lit heroines other than her punk rock wardrobe, though I did love her deep relationship with Sting's picture.
This has a fun, romantic comedy feel with an 80s twist and a gangsta rap punchline, with amazing lyrics and characters throughout. Four stars.
0 of 0 people found the following review helpful.
An enjoyable romp through the back rooms of the recording industry.
By Jo Ivester Author of The Outskirts of Hope
An enjoyable romp through the back rooms of the recording industry, with a likable heroine who honestly describes the challenges facing a young woman starting out in this male-dominated world. The story is one of gaining confidence and experience at the beginning of one's career. It could have taken place in any industry, but its setting in the music profession of the late 1980s in NYC and Austin, TX made it a lot of fun. The writer adds depth to the story by boldly writing about racial issues and how stereotypes can get in the way of personal relationships and success.
0 of 0 people found the following review helpful.
Highly Recommend This Book!
By Reese
An awesome read! Go back in time to the year 1989. It is the enthralling story about a young girl starting out in the music industry when rap was coming into its prime. Young or old, rap fan or not....this book is fun and draws you in!
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